How Teletubbies Works (As a Military Battle Insight Show to Analyze British Reform Culture)

British reform culture, is not reform culture in the sense falsely called liberalism as a canard by opponents of traditional reform, the removal of boundaries and the practice in the home of healthy values of choice, therefore obeying law due to non-interference in home (conservative values, this idea of reform).

British reform culture, is a social program, to make standards stricter and more restraining, following models passed down from Slavic-Semitic culture long outdated, however still within business cultures to fraud unions into producing an “easy return”, a casual exchequer note on a billed statement to avoid audit of excess assets intended to be stripped to allow a household or firm to better exploit their earnings for safer children and domiciles (hence, traditional reform).

To study this, the British made Teletubbies, with five characters.

The main character, is the child, your son or daughter, the sun in the sky. This is the framework of the show, to demonstrate the show’s aim, from being placed upwards in view, and associated with the sky, the most common place for a child to look, being shorter than adults, while outside.

There are three variable characters, labeled by color, falsely by their head, and one character labeled falsely by color, the royal color, purple, with the Holocaust shape of a criminal prisoner working on Kapo procedure, the inverted equilateral triangle. This criminal prisoner on guard’s duty outside of a prison, is Tinky Winky, a recognizable and profound shape on the head displayed as the children watching grows older, with the parents told that Tinky Winky is homosexual in news casts to generate controversy, so they support gay rights and don’t spoil the experiment (hence, they don’t coach their child to hide themselves, if they’re Tinky Winky).

Tinky Winky, places the other three variable characters, into various linking cultures, inducing each into a pattern of killing an infant (touching Tinky Winky or other Teletubbies, in an affection sign inappropriate unless dealing with a long journey, to severe the affections of a child or friend or spouse, from others when traveling, a danger sign since the hug is unwelcomed after separating), a gesture of placing a proxy as the unwelcome affection (using a nanny and then destroying him or her, to raise the child, a wealth sign when Tinky Winky adopts a surrogate to victimize both at the same time, making one individual his child, and the one signalled, the victimized spouse for Tinky Winky to claim by extension of demise, the sun is unhappy, in some form of variance per proxy), or worse, a removal of the Teletubby by falling, the child’s worst fear (the child has been euthanized, Tinky Winky feels responsible and cheers everyone up, an eugenics doctor).

This way, children learn to disrespect themselves if they are Tinky Winky, or alternately, move away from Tinky Winky, for their future child, the sun, while parents unaware of Tinky Winky’s true content, encourage the color signs to switch from purple, to hide their child as Tinky Winky, due to the controversy, purple indicating money when worn.

Published by cheater120

Consider me an expert in information munitions. I practice Zazen meditation, Yakuza Trappist form (a Yakuza, games cheat, and Trappist, a counter-agent), as a Bonafuda, a mercantile salesmen of information through philosophy, literature, fiction, and academics, distributed as munitions technique deployed for the purpose apparent to you, unless of course you have violated the ethics of my piece, in which case you will be trapped inside a theft of the piece and an action within the boundaries of the violation you have committed in Benedictine culture, the Jewish affiliate within Catholic culture. Buyer beware, and these poems, are free.

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