There are three toxic cultures in the United States, dominated by Israeli interests from the Vietnam War and the veterans endowed to them worked as slave labor by Jewish television show producers and munitions dealers.
They wear aviator shades to pose as CIA (CIA wear horn-rimmed black rims, like the famous Lensman, a CIA veteran accused of pederasty by an underage female pedophile, in the proper plot of Hard Candy, a broad lie produced by a homeless street kid and a pedophile Nazi, a common Marshall Plan Jewish film maker of German Gentile blood, Werner Hezhog).
They’re actually the culturally homeless, people hooked on narcotic pride, someone who needs unit esprit d’corps to function in a fight, the old French myth of cowardice when meeting the enemy, a country without the ability to fight their fathers, and slur them, old sick men who weep when they can’t afford a nice vacation for themselves at the expense of their child. Now, the whole country is French, on the model of the Jewish veteran, the common coward.
Let’s go into the three states, dominated by their cultures.
The Boston group doesn’t understand justified accounts of production, and relies on a literal number of demonstration, instead of understanding a role professional independence of trade. They believe trades and careers can be moved, which is adroitly anti-Semitic. The justification is comparison to media, which is unbearably simplistic, a simple way of winning a debate to gain entry to a brokered firm to manage mutual and pension funds at the expense of investors, confidence grifted into placement of monikered token.
Their rival, factory capital, works via the produce of a popular symbol, such as the tank, an useless weapon in the field, however justifying farmland expansion from expanded labor manpower, hence the farmland’s army resources grows for infantry and air, the food produced a secondary consideration given the army’s ability to move in the first place.
“Fag”, “white goy”, usually works on Bostonians.
They think they’re oppressed black kids, despite being rich white kids with banking and insurance money in the family.
Paramilitary strikes across provincial and state national lines through UPenn activists, out of a campaign seeking simplicity of education.
They’re notorious failures at complex principle unique to person, due to the demands of replaced labor from poor reimbursement structure.
They ignore anything that demands a corporate license and insured grounds of benefit to employee or claimant, and particularly taxed property of lien being ownership of state, the prime concept behind a town and notary of law given safety of patent.
Little House on the Prairie, combined with a shallow understanding of one individual, the self, being integral, instead of segmented power necessary for governing business aligned with banks in replaced role of average shift.
They’ve applied bank tellers, to their entire structure, despite banking being an entry level job at any level, and capital networks, brokerage being firms, being a banking degree (an MBA, a master’s or graduate post-doctorate).
To take down a UPenn strike, compare their shit, to a black person, a large one. And a happy, smiling one.
Rhode Island (Gamut):
A Providence Gamut, will recruit you for marriage, on a lower level of body-person, their term for your self-esteem and comparison to their falsely wealthy relatives (renting off landlords for petty cash at incompetently but repetitively practiced skills outside of any understanding of actual consequence).
They place you through a movie plot, that you haven’t seen, and if you recognize it, they marry you. Otherwise, you have to go to the ‘end’, a doctor with a stolen identity, and an Israeli name, with pederasty charges placed on them for failing to beat the doctor, or otherwise dying, yet begging that they’re Jewish, however in public or in front of the doctor, instead of in private, as if addressing God, a Catholic Zealot.
The simplest way to beat them, is to steal a token, a piece offering, and to offer yourself as a Wight, a writer’s aid, to conjugated plot, the term for taking their basic synthesis of you, and refusing it, and instead applying your similar genre character before the Gamut. This way, they go back to Tolkien, and frame themselves as Adolf Hitler, playing the Tolkien books, crashing the economy of Providence, with more ‘feel good movies’, from your friend, ‘Benny’.
Make a reference, to a rare movie, in plain view, that scares the every living shit out of them, because you altered the plot, without using a pederast resource like TV Tropes or Wikipedia.